Revista Eco-Pós https://ecopos.emnuvens.com.br/eco_pos Revista do Programa de Pós-Graduação em Comunicação da UFRJ pt-BR <p> </p> <p>Aos autores pertence o direito exclusivo de utilização ou reprodução.</p> <p>Você tem o direito de:<br />- Compartilhar — copie e redistribua o material em qualquer meio ou formato.<br />- Adaptar — remixar, transformar e construir sobre o material para qualquer filme, mesmo comercial.</p> <p>O licenciante não pode revogar esses direitos, desde que você respeite os termos da licença.</p> <p>De acordo com os seguintes termos:<br />- Atribuição — Você deve dar o devido crédito, fornecer um link para a licença e indicar se essas alterações foram feitas. Você pode fazê-lo de qualquer maneira razoável, mas não de maneira que sugira que o licenciante endosse ou aprove seu uso.<br />- Sem restrições adicionais — Você não pode aplicar termos legais ou medidas de natureza tecnológica que restrinjam legalmente outros de fazer algo que a licença permite.</p> <p><span style="font-family: Verdana;"><span style="font-size: small;">Aviso: A licença pode não fornecer todas as permissões necessárias para o uso pretendido. Por exemplo, outros direitos, como publicidade, privacidade ou direitos morais, podem limitar a maneira como você usa o material.</span></span></p> ecopos.ufrj@gmail.com (Revista ECO-Pós) ecopos.ufrj@gmail.com (Suporte Técnico) Thu, 19 Dec 2024 00:00:00 -0300 OJS 3.3.0.13 http://blogs.law.harvard.edu/tech/rss 60 Deslocamentos epistêmicos e as propostas de transgressão e desvio no campo da Comunicação https://ecopos.emnuvens.com.br/eco_pos/article/view/28420 <p>Apresentaç˜ão editorial do dossiê "Deslocamentos epistêmicos em Comunicação: saberes em (des)construção"</p> Fernanda Carrera, Elane Abreu, Ana Lúcia Nunes Copyright (c) 2024 Fernanda Carrera, Elane Abreu, Ana Lúcia Nunes https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28420 Thu, 19 Dec 2024 00:00:00 -0300 Apresentação editorial e expediente – “Deslocamentos epistêmicos em Comunicação: saberes em (des)construção” https://ecopos.emnuvens.com.br/eco_pos/article/view/28421 <p>Apresentação editorial e expediente – “Deslocamentos epistêmicos em Comunicação: saberes em (des)construção”</p> <p>Revista Eco-Pós, v. 27, n. 3, 2024</p> <p>&nbsp;</p> Antonio Fatorelli, Isabel Travancas, Lucas Murari Copyright (c) 2024 Antonio Fatorelli, Isabel Travancas, Lucas Murari https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28421 Thu, 19 Dec 2024 00:00:00 -0300 Nay Jinknss - Olhares deslocados https://ecopos.emnuvens.com.br/eco_pos/article/view/28426 <p>Portfólio do dossiê "Deslocamentos epistêmicos em Comunicação: saberes em (des)construção" <br>Revista Eco-Pós, volume 27, número 3, 2024.</p> <p>Arte gráfica: Ligia Gonçalves</p> Elane Abreu de Oliveira Copyright (c) 2024 Elane Abreu de Oliveira https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28426 Sat, 21 Dec 2024 00:00:00 -0300 Preta e mulher https://ecopos.emnuvens.com.br/eco_pos/article/view/28423 <p>No livro <em>Preta e Mulher</em> (2023), Tsitsi Dangarembga entrelaça a sua história de vida com o contexto histórico do Zimbábue, seu país de natal, e com as estratégias usadas pelo colonizador para construir o caminho que a faz se auto titular escritora, cineasta, feminista e ativista. Primeira mulher negra daquele país a publicar um livro em inglês. A autora relata como as estratégias de dominação colonizadora influenciaram a maneira como ela se enxergava no mundo, como a escrita a salvou, ao entender que saber usar as palavras é poder, e fala também sobre a necessidade da descolonização do pensamento.</p> Lídia Michelle Azevedo Copyright (c) 2024 Lídia Michelle Azevedo https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28423 Thu, 19 Dec 2024 00:00:00 -0300 A vitória da oralidade nas histórias de Mãe Beata de Yemonjá https://ecopos.emnuvens.com.br/eco_pos/article/view/28424 <p>Esta resenha aborda os contos escritos pela Ialorixá Mãe Beata de Yemonjá reunidos na obra <em>Caroço de Dendê</em>: <em>a sabedoria dos terreiros</em>, em sua terceira edição pela editora Pallas. O livro resgata a tradição oral dos povos africanos por meio de histórias contadas e recontadas no cotidiano mítico dos terreiros de candomblé. Nos 43 contos reunidos na obra, a autora recupera histórias ouvidas na infância, passada entre ex-escravizados e seus descendentes nos engenhos do Recôncavo Baiano. Em contos breves, numa linguagem que lembra fábulas infantis, Mãe Beata liberta dos limites físicos dessas comunidades um mundo de saberes, memórias, mitos e valores que dialogam diretamente com a cultura dos afro-brasileiros e das religiões de matriz africana.</p> Andréia Lago Copyright (c) 2024 Andréia Lago https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28424 Thu, 19 Dec 2024 00:00:00 -0300 “A beautiful woman is a woman who fights” https://ecopos.emnuvens.com.br/eco_pos/article/view/27987 <p><em>Feminist movements are a recurring subject in the construction of GNT as a television network focused on the feminine universe. This paper discusses how GNT engage with feminist struggles over the years and how this trajectory reveals changes in perceptions about feminisms in Brazil. The analysis is based on a cultural approach of brand identity as a result of an interaction between discourses and practices in the field of production and reception that happen in specific contexts. The corpus includes programs, vignettes and newspaper articles with reviews about the channel and statements of managers and TV hosts. Three moments are highlighted: the debut of Saia Justa (2002), the partnership with UN Women (2015), and the proposal of a diversity channel (2017). Positions permeated by ruptures and continuities are identified, as GNT oscillates between an individualistic and a collective approach to women's protagonism. &nbsp;</em></p> <p><em>Keywords: GNT; feminism; television; cable television.</em></p> Tess Chamusca Copyright (c) 2024 Tess Chamusca https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/27987 Thu, 19 Dec 2024 00:00:00 -0300 “Who are you?” https://ecopos.emnuvens.com.br/eco_pos/article/view/28166 <p><em>This article discusses the characterization of the identities of characters linked to mediumship in TV Globo's spiritist telenovelas. Using narrative events from A Viagem, Alma Gêmea and Além do Tempo as a corpus, I discuss the Latin context in which the Brazilian telenovela emerges and the importance of paying attention to images in their completeness. I take televisuality combined with television style as a theoretical-methodological contribution and, in the analyses, I identify editing resources, actors' performances and soundtracks that figure the identity tensions addressed in the plots regarding mediumship: from the confrontations and destructive content seen in the initial works (A Viagem and Alma Gêmea) to the naturalization of mediumship (Além do Tempo). I conclude that there is a path from the didactic tone of the mediumistic theme, with an initially literal approach, to the figuration of mediumship as a fluid and everyday phenomenon.</em></p> Marcos Vinicius Meigre e Silva Copyright (c) 2024 Marcos Vinicius Meigre e Silva https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28166 Thu, 19 Dec 2024 00:00:00 -0300 Ascensão da China e outras perspectivas de mundo https://ecopos.emnuvens.com.br/eco_pos/article/view/28212 <p>O artigo traz uma reflexão a respeito da hegemonia estadunidense em diálogo com a ascensão chinesa no século XXI. Utilizamos o caso do filme chinês Terra à Deriva (2019), que oferece uma visão alternativa de mundo, alinhada aos valores e interesses chineses, para explorar a interseção entre geopolítica e ficção. Buscamos compreender como a China vem afirmando a sua identidade e investindo na construção de um imaginário a respeito de sua influência global. Atentamos, portanto, ao valor das narrativas ficcionais para se discutir dinâmicas geopolíticas mais abrangentes.</p> <p><em> </em></p> Mayara Araujo, Alana Camoça Copyright (c) 2024 Mayara Araujo, Alana Camoça https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28212 Thu, 19 Dec 2024 00:00:00 -0300 Marcas culturais da Amazônia https://ecopos.emnuvens.com.br/eco_pos/article/view/28107 <p><em>When we think of culture as the social fabric that identifies us, it brings us closer and makes us feel belonging to a group, place and space in society, we reflect: what is the Amazon? And what cultural marks are present in the voices of those who speak to it? Our purpose in proposing this reflection is to analyze the mobilizing elements that construct the cultural sense of the Amazon in the encounter between the television and literary languages. That is, taking the word as an ethical act, action on the world and the other. As a scope of analysis, we selected the literary novel Dois Irmãos, adapted by Rede Globo de Televisão, in a miniseries and screened in January, 2017. Milton Hatoum's work narrates the family plot of the Lebanese descendants in Manaus in the first half of the twentieth century. We reflect that the television language, when narratively adapting the literary text, potentiates a dialogism and a polyphony of social voices, in the necessary relation of any expression with other expressions, recreating the verbal text and visually materializing the cultural elements of possible interpretation of the Amazon. That is, in narrative analysis the river becomes the metaphor of human existence, as streams of life that indicate, at the same time, serenity and current, tension and restlessness. The river represents memory and cultural construction.</em></p> Alda Cristina Silva da Costa, Paulo Jorge Martins Nunes, Vânia Maria Torres Costa Copyright (c) 2024 Alda Cristina Silva da Costa, Paulo Jorge Martins Nunes, Vânia Maria Torres Costa https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28107 Thu, 19 Dec 2024 00:00:00 -0300 “Another day in the schack...” https://ecopos.emnuvens.com.br/eco_pos/article/view/28170 <p>The article aims to understand how the profile @thalllitaxavier discloses veganism, a &nbsp;lifestyle that emerged among the wealthiest groups, appropriating this way of life to her social universe of origin. The elements triggered for this "translation" and the identity constructions present in a flow of cultural mediation were observed. Through ethnographic research, content published by digital influencer Thallita Xavier on TikTok and Instagram were analyzed. Among the results, her role as a "translator" between two worlds, the use of food as a classifying element of "poverty" and the disputes about the "authenticity" of belonging to the low-income groups.</p> Carla Barros Copyright (c) 2024 Carla Barros https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28170 Thu, 19 Dec 2024 00:00:00 -0300 Reading scenes in São Paulo graffiti https://ecopos.emnuvens.com.br/eco_pos/article/view/28209 <p>This text presents the results of a study aimed at identifying reading scenes in São Paulo graffiti in public spaces and trying to understand what kind of associations these images could make. The analytical issue in approach to these graffiti is the search for the possible connotations of these images in terms of making the receiver available for the act of reading. This work is divided into two parts: in Part I we give a brief chronology of some of the highlights of the history of graffiti in São Paulo; in Part II we analyse some São Paulo graffiti with reading scenes.</p> Sandra Reimao, Jane Aparecida Marques, Manuella Vieira Reale, Gabriella Lopes Mariano de Matos, Beatriz Pavani Cherobin Copyright (c) 2024 Sandra Reimao, Jane Aparecida Marques, Manuella Vieira Reale, Gabriella Lopes Mariano de Matos, Beatriz Pavani Cherobin https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28209 Thu, 19 Dec 2024 00:00:00 -0300 Concurso Nacional de Literatura Infantil “João de Barro” https://ecopos.emnuvens.com.br/eco_pos/article/view/28285 <p>This article aims to document the creation and trajectory of the National Children&amp;#39;s<br>Literature Contest &amp;quot;João de Barro&amp;quot; within the scope of cultural policies, particularly in the<br>area of books, reading, and literature, in the capital of Minas Gerais. To this end, it provides<br>a brief overview of children&amp;#39;s books and literature in the country, discusses literary awards in<br>the context of public cultural policies, highlighting the lack of initiatives aimed at literary<br>creation for children and adolescents, and presents &amp;quot;João de Barro&amp;quot; at different stages, from<br>its inception to 2024, with emphasis on the revision it underwent in 2011.</p> Fabíola Ribeiro Farias Copyright (c) 2024 Fabíola Ribeiro Farias https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28285 Thu, 19 Dec 2024 00:00:00 -0300 ‘Programmed by Testosterone’: https://ecopos.emnuvens.com.br/eco_pos/article/view/28096 <p><em>The article discusses the representation of masculinity in three characters from </em>The White Lotus<em> series, focusing on specific scenes from episodes 1 and 3 of the second season, produced in 2022 and available through the HBO Plus streaming service. The hypothesis raised is that the symbolic conduction of contents referring to the aesthetic aspects of the male body legitimizes differentiated age values. As a theoretical contribution, the sociology of representation (HALL, 2000) and the context of symbolic power (BOURDIEU, 1999) that dictates society in a hierarchical social organization (FOUCAULT, 1987) are used. As the body has become the locus of investment today, it is legitimate to say that there is a certain epistemic difficulty with regard to narrative disputes around the elderly body. Among the possible conclusions, culturally legitimized as a socially subordinate place, the body of the elderly subject is understood in the dominant discourse that suggests their deteriorated body condition, in the case of men, linked to sexual values.</em></p> Siciliano Siciliano, Valmir Moratelli, Bruna Aucar Copyright (c) 2024 Tatiana Siciliano, Valmir Moratelli, Bruna Aucar https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28096 Thu, 19 Dec 2024 00:00:00 -0300 As várias dimensões de implicabilidade: Entrevista com Denise Ferreira da Silva https://ecopos.emnuvens.com.br/eco_pos/article/view/28422 <p>Nesta entrevista, a professora do Departamento de Espanhol e Português da Universidade de Nova York, Denise Ferreira da Silva, oferece contribuições generativas para o deslocamento epistêmico a partir de reflexões sobre colonialidade e racialidade. Entre os temas abordados, a filósofa e artista discute como a figura da "corpo cativa ferida na cena da subjugação" desvela o capital global como uma arquitetura política e gramática ética, figura que a acompanha em sua crítica à interseccionalidade. Ela também analisa o cenário nacional, refletindo sobre a instrumentalização da mulher não-branca para o velado projeto eugenista brasileiro contido na ideia de “democracia racial”. Por fim, Ferreira da Silva propõe uma visão radical de comunalidade e reflete sobre os limites da imaginação na construção de um novo projeto político e filosófico.</p> Pollyane Belo Copyright (c) 2024 Pollyane Belo https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28422 Thu, 19 Dec 2024 00:00:00 -0300 “White out, black in" https://ecopos.emnuvens.com.br/eco_pos/article/view/28362 <p>This article criticizes the idea of meritocracy and the modern cognitive hierarchies that sustain it through the concept of cosmopolitics of raciality, based on a discussion of the intense visibility of blackness and the invisibility of white privilege as identity politics. Situated in the coloniality of power (Quijano, 2005) debate, the issues in the field of education and knowledge aim to propose and/or recover programs of ontoepistemological intervention that, by identifying the agency of what Sueli Carneiro has called the dispositif of raciality (2005), trigger points of rupture of the racialized condition.</p> Renata Nascimento, José Carlos Messias Copyright (c) 2024 Renata Nascimento, José Carlos Messias https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28362 Thu, 19 Dec 2024 00:00:00 -0300 Forging listening through the enchantment of the gaze: Indigenous mobilizations, interworld images and invention of cosmopolitical forums https://ecopos.emnuvens.com.br/eco_pos/article/view/28357 <p><em><span style="font-weight: 400;">Contemporary indigenous struggles in Brazil for the reconquest and defense of ancestral territories add efforts in the spectrum of a triple labor: the invention of culture or ways of life in continuous and long-term counter-colonization action; defense against the State-Capital harsh forms of modern-colonial violence (genocide-epistemicide-cosmicide) and its daily existential consequences; and interworld communication that involves a cosmopolitical dimension through conversations/negotiations with the spiritual world, and the needing to show the non-indigenous world, in a relational desire attitude, both the beauty of life creation and the hardness of continuous confrontation with the death machine. In this article, we argue how the third movement, magnetized by the other two, has operated in the field of images - we dedicate ourselves especially to photography - constituting, in its materiality and forms of circulation, cosmopolitical forums.</span></em></p> Luciana de Oliveira, Bárbara Regina Altivo Copyright (c) 2024 Luciana de Oliveira, Bárbara Regina Altivo https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28357 Thu, 19 Dec 2024 00:00:00 -0300 Indigenous Women in Communication https://ecopos.emnuvens.com.br/eco_pos/article/view/28361 <p>This article proposes an understanding of the meanings produced by indigenous women, in relation to their resistance processes, in the face of the humanitarian crisis, aggravated by the political and health crises, between the years 2019 and 2022. The research corpus is composed of five lives of Camp Terra Livre - ATL 2020 and dialogue rounds held with four indigenous women who participated in this ATL. The analysis lenses were: Decolonial Feminism, Intersectionality and Decolonial Theory, non-hegemonic epistemologies that shed light, criticism and other ways of understanding social phenomena. The methodology proposes an “epistemological disengagement” and the recognition of “other” subaltern knowledge. We conclude that indigenous women's resistance processes are inherently intersectional and are within the scope of a declared decolonial movement, in defense of the sacred Territory-Body-Spirit.</p> Lorena Cruz Esteves, Danila Cal Copyright (c) 2024 Lorena Cruz Esteves, Danila Cal https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28361 Thu, 19 Dec 2024 00:00:00 -0300 Por uma epistemologia do barranco como afronta do saber https://ecopos.emnuvens.com.br/eco_pos/article/view/28325 <p>Poderiam ser tomadas, como fenômenos comunicacionais de saberes localizados, as rememorações de um sujeito-pesquisador acerca de seu passado? Neste texto, de tom mais ensaístico e redigido em bloco único, utilizo o relato de um índice de subjetividade sobre minha infância em uma periferia como estratégia de “escrevivência” (Evaristo, 2018), a trafegar por três materialidades que saltam dos escritos: o amor, a nostalgia e o sonho. Pensando minhas vivências em meio a uma geografia do barranco, lanço-me na empreitada de alçar essa categoria – o barranco – a uma dimensão de epistemologia que afronte formas ortodoxas de saber, responsáveis por anularem outras mais dissonantes e preteridas nos eixos chancelados de conhecimento. Pelo caminho traçado, este texto experimenta ser uma metodologia em andamento de sua própria proposta, chamando ainda para a conversa referenciais que andam de mãos dadas com esse saber periférico.</p> <p><em> </em></p> William David Vieira Copyright (c) 2024 William David Vieira https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28325 Thu, 19 Dec 2024 00:00:00 -0300 Transmethodologies and epistemic disputes in communicational investigation processes committed to citizenship, emancipation, and well-being https://ecopos.emnuvens.com.br/eco_pos/article/view/28336 <p>We revisit, through appropriation and critical deconstruction, investigations that used transmethodology in the construction of knowledge in the field of communication in the last ten years. This movement understands the contributions of the transmethodological perspective as an epistemic shift in/for communication (Maldonado, 2013a; 2013b; 2015; 2022; 2024), at the same time that it projects incentives for future endeavors in the field. It thus reiterates the potential of collective natures in the production of knowledge, critical epistemological vigilance (Bachelard, 2005; 2006; Japiassu, 1988), and assumes research as the central axis for scientific cultures and citizenships committed to the conquest and experimentation of another world (Bonin, 2011; 2022). It also celebrates transmethodology as a creative power for epistemological productions from the margin to the center.</p> Alberto Efendy Maldonado, Felipe Collar Berni, Luan Correia Cunha Santos, Pedro Henrique Andrade Copyright (c) 2024 Alberto Efendy Maldonado, Felipe Collar Berni, Luan Correia Cunha Santos, Pedro Henrique Andrade https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28336 Thu, 19 Dec 2024 00:00:00 -0300 O corpo comunicante e o fenômeno midiático-alimentar das quizilas no culto aos Orixás https://ecopos.emnuvens.com.br/eco_pos/article/view/28193 <p>In Afro-Brazilian religions, food is a living being that plays a mediatic role in the process of building the children of saint's belonging. With Peter Sloterdijk and Tobie Nathan, the food phenomenon is clarified as a “truth of incorporation”, also as a precaution and construction of belonging. A dialogue is established with the anthropologist Viveiros de Castro to deal with a cannibal metaphysics, based on relationships of alliances between living beings that are at the base of Amerindian culture. In this way, dialogues between traditional phenomena and contemporary thought allow us to think about relationship of otherness as decentering and to expand the scope of communicational thinking to food as mediation.</p> Florence Dravet, Gustavo Castro Silva Copyright (c) 2024 Florence Dravet, Gustavo Castro Silva https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28193 Thu, 19 Dec 2024 00:00:00 -0300 Decolonizar a palavra, a imagem e o fazer comunicacional https://ecopos.emnuvens.com.br/eco_pos/article/view/28371 <p>The article analyzes Ororubá Filmes, an audiovisual collective of the Xucuru do Ororubá’s ethnicity (Pernambuco), advocating the notion of “perspective communication”. The starting point is situated in the processes that the communication carried out by Ororubá Filmes generates within the same community. It draws on Southern epistemologies (Quijano; Torrico) and Brazilian community communication (Peruzzo; Paiva). The methodology applied is rooted in ethnography, combining participatory observation techniques with interviews. The reflection concludes on the necessity to decolonize language, imagery, and the process of communication, supporting&nbsp;the community work carried out by peoples who practice ethnocommunication.</p> Dina Tatiana Quintero, Sofia Zanforlin Copyright (c) 2024 Dina Tatiana Quintero Quintero, Sofia Zanforlin https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28371 Thu, 19 Dec 2024 00:00:00 -0300 Entre a cova e o berço https://ecopos.emnuvens.com.br/eco_pos/article/view/28348 <p><em><span style="font-weight: 400;">In this article, we reflect on the relationship between work and modes of signification, observing the metaphor "Roça do Futuro" and the opposition between the words "grave" and "cradle," used by the farmer Ivanilson Leal and his family, who live in the Assentamento Paulo Freire II, linked to the Landless Workers' Movement in the municipality of Estância/Sergipe. Through epistemological references that consider communication beyond the act of message transmission, we reflect on the ethical, technical, and aesthetic aspects produced in the experience. The methodology consisted of two meetings. In the first, we conducted an audiovisual recording in an interview/interviewee format, and in the second, we validated the results and made additions of content requested by them. The results point to the organic linkage between productive practices and modes of signification and constitute counter-colonial paths for thinking about new futures, both for the production of ideas and for the production of food.</span></em></p> Bruna Távora, Marcelo Rangel , Antônio Vinícius Gonçalves Copyright (c) 2024 Bruna Távora, Marcelo Rangel , Vinícius Oliveira https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28348 Thu, 19 Dec 2024 00:00:00 -0300 Afro-surrealism, the uncanny, and epistemic disobedience in Nope https://ecopos.emnuvens.com.br/eco_pos/article/view/28298 <p>This essay proposes a reading of the film <em>Nope</em> (2022), by Jordan Peele, as an act of epistemic disobedience (Mignolo, 2008), intersectional and decolonial, which associates it with the project proposed by the Afro-surreal manifesto, a subversive strategy that seeks to give visibility to marginalized social categories. We suggest that Peele uses, in the narrative construction of the feature film, multisensory stylistic tools that help activate the aesthetic categories of the unusual and the oneiric, through a strategy that reinforces the subversive decolonial act.</p> Rodrigo Carreiro, Marília de Orange Copyright (c) 2024 Marília de Orange, Rodrigo Carreiro https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28298 Thu, 19 Dec 2024 00:00:00 -0300 Self-definition against cis-heterossexist terrorism: https://ecopos.emnuvens.com.br/eco_pos/article/view/28383 <p><em>This article brings together theoretical and methodological elaborations to analyze the coming out processes of the black bichas in the Guardei no Armário Project. From an intersectional perspective (Collins, 2016; 2017; 2019), we start from a bicha perspective, a viado’s subjective “universe” to the autobiographical narratives collected and shared, based on the analytical operationalization of the concept of self-definition and its relationship with other references. Bicha’s escrevivência [writing-living], as a result of a “resistant subjectivity” (Lugones, 2019), is inscribed in the infrapolitical sphere, challenges heteronormative cis controlling images and requires other epistemological constructions to discuss its political existence (corporeal, discursive, performative) in the communicational field.</em></p> Pedro Augusto Elias Cardoso Pereira, Tamires Ferreira Coêlho Copyright (c) 2024 Pedro Augusto Pereira, Tamires Ferreira Coêlho https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28383 Thu, 19 Dec 2024 00:00:00 -0300 Láròyé Èsú! Odò Ìyá! Oore Yèyé Oò! https://ecopos.emnuvens.com.br/eco_pos/article/view/28379 <p><em>The practice of aquilombamento in the photographic production of black artists highlights black countervisuality as a way of rewriting narratives and challenging stereotypes, positiveizing Afro-Brazilian cosmoperception in representations of orixás. </em><em>Pretendemos analisar como os fotógrafos negros periféricos reconfiguram as representações culturais e religiosas, desestabilizando os estereótipos coloniais. </em><em>The methodology is based on visual and narrative analyzes of contemporary photographs from the Olhos Negros ON research project at UFRN. Among the main authors and concepts discussed are Antônio Bispo dos Santos, Oyèrónkẹ́ Oyěwùmí, bell hooks, Mark Sealy, Luiz Rufino, Muniz Sodré, Franz Fanon, Abdias do Nascimento, Munanga and Meirinho, who reflect on Afro-Brazilian concepts of cosmoperception, memory and image, black identities, Exu and the crossroads and aquilombamento. The relevance of photography is highlighted as a quilombist and artivist practice of resistance, which celebrates diversity and black cultural richness, challenging colonial visual hegemony and promoting the appreciation of Afro-Brazilian cosmoperceptions.</em></p> Danilo Meireles, Emanuele Bazílio, Alice Andrade Copyright (c) 2024 Danilo Meireles, Emanuele Bazílio, Alice Andrade https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28379 Thu, 19 Dec 2024 00:00:00 -0300 “Meu bem, é isso que eu mereço”? Jovelina Pérola Negra e modos de lembrar e esquecer no Youtube https://ecopos.emnuvens.com.br/eco_pos/article/view/28354 <p><span style="font-weight: 400;">Este artigo apresenta algumas reflexões e discussões preliminares a respeito do lugar da obra e da figura da compositora e cantora Jovelina Pérola Negra (1944-1998) no Youtube, entendido aqui como repositório de arquivos digitais e como plataforma para a configuração de um espaço digital de memória coletiva. A partir de uma mirada interseccional (CARRERA, 2021; CRENSHAW, 1991), considerando as reconfigurações dos gêneros musicais e as dinâmicas de gosto e valor no universo da música popular massiva, o presente estudo tem como objetivo compreender as formas contemporâneas que a memória coletiva da música assume nas plataformas digitais, em especial no Youtube, onde é possível observar a reprodução de hierarquizações e desigualdades na produção de regimes de visibilidade e invisibilidade. </span></p> Luciana Xavier de Oliveira Copyright (c) 2024 Luciana Xavier de Oliveira https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28354 Thu, 19 Dec 2024 00:00:00 -0300 Territórios, terreiros e geopolíticas na escuta conexa https://ecopos.emnuvens.com.br/eco_pos/article/view/28351 <p>Pretendemos com o presente artigo trazer uma discussão preliminar sobre como a dimensão territorial e geopolítica podem ser entendidas e incorporadas nas análises da música ao vivo, a partir da noção de <em>escuta conexa</em>. Para tanto, propomos uma breve análise da trajetória do festival Afropunk Bahia 2022 para repensar algumas perspectivas do entendimento do território na música. Interessa-nos pensar como esta festividade parece evocar uma dimensão racializada, buscando compreender como o território pode ser atrelado aos modos de se consumir, escutar e viver o evento Afropunk Bahia.</p> <p><em> </em></p> Tobias Queiroz, Victor de Almeida Nobre Pires Copyright (c) 2024 Tobias Queiroz, Victor de Almeida Nobre Pires https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28351 Thu, 19 Dec 2024 00:00:00 -0300 How to ethnograph an esport scene? https://ecopos.emnuvens.com.br/eco_pos/article/view/28365 <p><em>This article problematizes some research experiences that traversed an ethnography with 42 players from a community esports scene in Brazil. Examining the transformations in the knowledge-power relations outlined in the conduction of that study, the article explores the central role played by epistemic-methodological shifts that required putting the research in motion and discussions about a decolonial ethnography done. Based on some field experiences, it is argued that these shared experiences functioned as formative moments that, for this reason, encourage fieldwork in esports as a formative process and as an (inter)epistemic encounter and dialogue.</em></p> Tarcízio Macedo Copyright (c) 2024 Tarcízio Macedo https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28365 Thu, 19 Dec 2024 00:00:00 -0300 Black journalism and silenced history: https://ecopos.emnuvens.com.br/eco_pos/article/view/28330 <div class="jO4O1"> <div class="ptNLrf"> <div> <div data-is-tv="false">This article analyzes the presence of Black Journalism in the curricular components of Journalism degrees in Brazil in order to see if and how this theme is portrayed. We analyzed the Political Pedagogical Projects and the Curricular Structures of the Journalism degrees at 42 Federal Universities in Brazil in search of approaches to the Black Press, Black Journalism and ethnic-racial issues.</div> </div> </div> </div> <div class="jO4O1"> <div class="ptNLrf"> <div> <div data-is-tv="false">We start from the hypothesis that Black Journalism is a practice that has been silenced as such because of racism, even though there have been some reports of it for 200 years. For the theoretical basis, we will use authors from the perspective of Cultural Studies and Foucault's Discourse Analysis (1996). The aim of this article is to challenge hegemonic conceptions of journalism by questioning the non-inclusion of a racial debate in its studies, in undergraduate courses and in academia, as well as encouraging the fight against epistemicide in journalism undergraduate courses in the country.</div> </div> </div> </div> Aíla Cristhie Cardoso, Valéria Maria Vilas Bôas Copyright (c) 2024 Aíla Cristhie Cardoso, Valéria Maria Vilas Bôas https://creativecommons.org/licenses/by-nc-nd/4.0 https://ecopos.emnuvens.com.br/eco_pos/article/view/28330 Thu, 19 Dec 2024 00:00:00 -0300