Fotocopiar fotocópias na fotocopiadora

Apropriação e ressignificação de meios, materiais e processos

Authors

DOI:

https://doi.org/10.29146/ecopos.v24i3.27746

Keywords:

electrography, copy art, collage, détournement

Abstract

As practices of material appropriation, signic reframing, and performative ressignification, electrography and copy art directly call into question the concepts of original and copy. The goal of this article is to outline how these copy-based artistic practices promote a dialogue with the 20th-century widely spread notion of collage, dealing as well with the concept of “détournement” as a way of describing the radical gesture of appropriation and ressignification present in several works produced by Portuguese artists.

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Author Biography

Bruno Ministro, Instituto de Literatura Comparada Margarida Losa

Bruno Ministro is a junior researcher at the Institute for Comparative Literature at the University of Porto, Portugal. He has received a Ph.D. in Materialities of Literature from the University of Coimbra. Since 2017, he is a co-editor of the Digital Archive of PO.EX, hosted by University Fernando Pessoa. In recent years he has been collaborating with several projects and events related to modern and contemporary literature, mainly on the subjects of experimental poetry, electronic literature, and other hybrid genres. His research is focused on the study of intermedialities, working at the intersection of areas such as literary studies, media studies, and cultural studies.

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Published

2021-12-20

How to Cite

Ministro, B. (2021). Fotocopiar fotocópias na fotocopiadora: Apropriação e ressignificação de meios, materiais e processos. Revista Eco-Pós, 24(3), 224–245. https://doi.org/10.29146/ecopos.v24i3.27746